Sunday, October 2, 2011

Na Jaane Kabse.. Release Date : 30,Sep 2011

Producer    Pammi Somal, Gurtejpal S. Somal
 Director    Pammi Somal
 Writer    Pammi Somal
 Release Date    30-Sep-2011

Bollywood movie ‘Na Jaane Kab Se’ is a romantic comedy flick. Actor Garry Gill in the movie plays the role of a tycoon, Karan Bajaj. Bajaj has his own insecurities and complexes.
The story of the movie is about a bridegroom, who by mistake, gets in to a car and drives her off to the honeymoon resort.
2This is when all the rib tickling confusion begins. The father of the girl makes his best attempts to save the marriage. There is love and plenty of fun to enjoy with. The movie becomes more enjoyable when the film’s characters come out with their bizarre behavior.



U R My Jaan Release Date : 23,Sep 2011

Producer    Aron Govil
 Director    Aron Govil
 Music    Sanjeev, Darshan
 Writer    Aron Govil
 Lyrics    Sameer
 Release Date    23-Sep-2011


Clashing with two big ticket flicks of this week Mausam and Speedy Singhs is a small time film U R My Jaan. When such a thing happens one wonders why do filmmakers clash their movie with big banner films. But come to think of it, I guess filmmakers in case of Aron Govil are sure that whether a clash or not, there hardly may be anyone who would go watch this film. However, it is our duty to educate you on what this film is all about.

Reena (Preeti) is a wannabe actress from Chandigarh who fights from her family and goes to Mumbai for an international photo shoot with Versachee (Pun intended). The shoot goes kaput, Reena is left with no money and no return ticket. In a bid to get herself some money her agent hooks her up to a NRI business tycoon Akash (Mikaal) who prefers having an arm candy on his business trips. So the shrewd businessman meets a full of life girl and love blossoms.

U R My Jaan may be the nth version of Hollywood's eternal love story Pretty Woman and a bad one at that. There are scenes which are satirically hilarious and scenes lift up frame by frame from the Hollywood film. So Reena keeps using Akash for shopping, getting an audition in a filmmaker's project et al. but when it comes to getting close to the actor she shies away. And the entire film passes like Paranormal Activity with each night passing without any action!

The dialogues of almost every single actor in the film are dubbed and despite such excessive dubbing filmmaker Aron Govil finds it hard to hide the lisps of the lead actress. She not only needs a desperate speech therapy but should seriously take to acting course before she attempts any other film after this!

The lead actor Mikaal fits the bill perfectly and could've salvaged the film had it been for better script and good actress. While the music pierces through the ears and is needlessly shoved on the viewers, the film is filled with continuity errors and out of focus scenes.

To sum it up, U R My may just take away your Jaan if you dare to watch it!

Mausam Release Date : 23,Sep 2011

Producer    Sheetal Vinod Talwar, Sunil A. Lulla
 Director    Pankaj Kapoor
 Music    Pritam Chakraborty
 Lyrics    Irshad Kamil
 Release Date    23-Sep-2011



The story starts in early 90s when Aayat (Sonam Kapoor) leaves behind her home in Kashmir (following the unrest in valley) and lands at a relative's place in Punjab. Village boy Harry (Shahid Kapoor) falls head over heals for her but fate has some different plans. Post the Babri Masjid demolition, Aayat relocates to an unknown destination. Fate reunites them after seven years in Scotland when Harry has turned an air-force pilot. Unfortunately Kargil war separates them again where Harry is summoned in the line of duty. Unable to trace each other post the war, the two pine for each other for years. Until they cross paths during subsequent misfortunate incidents of 9/11 attacks and Godhra riots.
Pankaj Kapur kicks-off the film on a promising note in the pristine Punjab village, tapping the raw and young energy of Shahid Kapoor, who races alongside a speeding locomotive in a roofless impala, living life on the edge. Love blooms between the lead pair amidst the traditional setting of an inhouse Punjabi wedding, and though we have seen that hundred times before on screen, you still somehow like the innocence of the 90s romance that the director captures gracefully.
However the pain of separation when the couple drifts apart for the first time isn't as acutely felt since, though they reunite after a gap of seven years, cinematically its just the next scene without an interim or even an interval. The director attempts to upgrade the teenage romance with a more mature outlook in a Victorian backdrop. Unfortunately Sonam Kapoor appears too juvenile for the role and lacks the maturity that the character demands. The entire basis of this ill-fated love story heavily depends on the chemistry between Sonam and Shahid but it certainly isn't of the kind that one could rave about. And with their mediocre rapport, you don't feel as much for the love birds as one should ideally have.
Pankaj Kapur superimposes every twist in his love story on the backdrop of real social upheaval that resulted out of human-induced havocs. While he keeps the correlation subtle with no direct link between the two, after a point of time, the connection appears too coincidental. In fact the viewer becomes so accustomed with the set pattern that they start to presume what social unrest would follow next in the scheme of things. Moreover the film opts for a climax, which is not just tame, but also goes on a different tangent from the love story, with Shahid Kapoor saving a random child and, in process, regaining life in his paralyzed arm in the most formulaic fashion. Its relevance to the romance drama and requirement in the overall affair is highly debatable.

Undoubtedly Mausam is marred by its unrelenting length and could have been much crisper, considering what it actually serves in its three-hour runtime is too shallow in comparison. Other than that, it boasts of a decent soundtrack, courtesy Pritam and striking cinematography by Binod Pradhan.
On the performance front, Sonam Kapoor is merely passable and lacks the range to handle a character which spans a decade and demands diverse emotions. So it's left up to Shahid Kapoor to save the ship, which he ably does. He shows immense dexterity in pulling off the wide range of varying conduct, mannerisms and maturity that his character demands. He is charming as the village boy, suave as the pilot and intense as the bereft lover. Aditi Sharma is remarkable in her short role having negative shades. Supriya Pathak and Manoj Pahwa are decent. Anupam Kher is hardly there.
Mausam starts off with the pleasant freshness of any new season but stretches so long that you yearn for the onset of the next season.

Speedy Singhs Release Date : 23,Sep 2011

Producer    Akshay Kumar, Ajay Virmani
 Director    Robert Lieberman
 Music    Sandeep Chowta, Anjjan (Meet Bros), Harmeet (Meet Bros), Manmeet (Meet Bros)
 Writer    Vinay Virmani, Noel Barker, Jeffrey Schechter, Matt Simmons
 Lyrics    Rdb, Ludacris, Rishi Rich, Veronica, Jassi Sidhu, Kale Wala Sangha, Ajay Virma, Kumaar, Palvinder Dhami
 Release Date    23-Sep-2011



Story:‘Speedy Singhs’ is the journey of an Indo-Canadian- Rajveer Singh (Vinay Virmani), who is torn between his traditional family beliefs and his dream career, in the sports of ice-hockey. His father Darvesh Singh (Anupam Kher), is his biggest hindrance as he wants him to make it big in Uncle Sammy’s (Gurpreet Guggi) truck business. Uncle Sam’s son-in-law, Sonu (Russell Peters) adds to Rajveer’s misery, courtesy the small tiff between them over Uncle’s business. In the course of time, when Rajveer finds no space in Canadian team, he builds up his own team of Sikhs called Speedy Singhs with Dan Winters (Rob Lowe) as their coach. Now, will Rajveer be able to convince his father for his hockey career or will he go ahead against his father’s will, forms the rest of the story.   
Story Treatment:‘Speedy Singhs’ evokes mixed responses, when it comes gauging it. The film falls flat in terms of writing, as it bears an uncanny resemblance to films like ‘Bend it Like Beckham’, ‘Patiala House,’ which makes it quite predictable. In fact, one wonders, how could producer Akshay Kumar give his nod for such a subject, considering he came up with ‘Patiala House’ earlier, which dealt with the same issue. However, as mentioned, ‘Speedy Singhs’ is quite strong at others areas, which makes it a delightful watch. Ultra-hilarious dialogues with excellent comic-timing between the characters, crisp fresh screenplay give this flick a chance to be watched at least once.
Star Cast: Vinay Virmani is flawless as a debutant actor, but story writing doesn’t seem to be his cup of tea. Anupam Kher is as usual top-notch. Gurpreet Guggi looks uncomfortable with English language, but that’s the shade of his character. Russell Peters proves his acting prowess. He lives up to the character with shades of grey, quite convincingly. He surely is the star attraction in the film and surprises one with each passing scene. Akshay Kumar makes his presence feel in a cameo role. Rob Lowe plays his part well. So, does his character sister Camilla Belle, the love interest of Rajveer in the film.
Direction: Robert Lieberman induces life in the otherwise very non-lustrous storyline with oodles of style and energy. What sets ‘Speedy Singhs’ part from rest of the films made on the same subject, is the no melodrama factor. Rajveer doesn’t break down every other minute due to opposition, neither does his mother make a huge hue and cry about her son going against his father and to top it all, there's no high-voltage drama of Punjabi ladies. The practical approach encompassing interesting conversations between the characters with just the correct dosage of comedy, brilliantly shot ice-hockey matches make ‘Speedy Singhs’ stand out.
Music/ Cinematography/ Dialogues/Editing: Punjabi music is the soul of the film, which completely syncs with the theme. Camera moves don’t go over-board even for a second, which makes it a flawless effort from the cinematographer’s end. Dialogues, as mentioned earlier too, like the music only make the film move forward and one starts enjoying every bit of it. Editing is perfect, as the film finishes in a stipulated amount of time, also courtesy a tightly written screenplay.
3 Ups and 3 Downs: Witty dialogues, music, screenplay and decent performances are the strengths of the film. Predictable storyline, language barrier in the terms of English being the language that's primarily spoken throughout the flick, are the weak points.
On the whole, ‘Speedy Singhs’ promises to tickle your funny bone with its fine comedy, but a word of caution, it's surely not for masses and that might affect its collections at the box-office.

The Blueberry Hunt Release Date : 23,Sep 2011

Producer    Anup Kurian, Sachein Shah, Mathewkutty Mattom
 Director    Anup Kurian
 Release Date    23-Sep-2011

The Blueberry Hunt unfolds in a lush green deserted estate bordering the forest on the high altitudes of Vagamon, Kerala.

The film centers on a recluse known locally as "Colonel" - played by Naseeruddin Shah, living with his large German Shepherd.

The story focuses on the final five days when Colonel's plantation of a high potency variant of marijuana - Blueberry Skunk - gets ready for harvest.

Sunday, September 18, 2011

Rivaaz Release Date : 16,Sep 2011

Producer    Ashok Nanda, Vidya Kamat
 Director    Ashok Nanda
 Music    Raj Inder Raj, Reeg Deb
 Writer    Ashok Nanda, Rakesh Chandra Saroj
 Lyrics    Raj Inder Raj, Reeg Deb, Vijay Vijawat, Ratan Pasricha, Yashandra
 Release Date    16-Sep-2011

Every young soul searches for something deep inside. Rahul's quest sees the light of the day when he stumbles upon a beautiful siburban girl Bela. She has shaped up his dreams.
What about her own dreams?
She belongs to a community in central-western India, which will celebrate her becoming eighteen years of age. A wealthy businessman or a local politician will be a part of the celebration; he will give a hefty sum to her parents, some booze to the community members and then they all will celebrate the girl's loss of virginity.
After that day she will keep on earning as much as her flesh fetches; her parents and siblings living off that income. Only after people stop coming to her, she will get married to some middle aged man of the community.
All this without even before she realizes that she also had a dream!
Bela meets Rahul and starts dreaming - of love, of belongingness, of self-respect, of a life. Will they allow her?
Her mother, once a dreamer herself, has buried all her dreams after they had burnt down her first love... will she allow her daughter's quest for love?
Her father has waited impatiently for eighteen years to earn a good amount of money off her beautiful body... will he let her wash away his dreams?
The landlord of the nearby town is willing to spend a fortune to taste her virgin flesh... will he give up his animal instinct?
The local police dutifully serve the influential with the girls from the community - and in the process get some fringe benefits... could she dare ditch them?
And finally, the community heads - the privileged protectors of this heinous ritual of centuries... will they allow some girl to deviate from the practice and rob them off their lifestyle?
"Rivaaz" is a film of hope - of them who are 'trapped in Tradition' and never dare to break that trap!

Mere Brother Ki Dulhan Release Date : 09,Sep 2011

Producer    Yash Chopra
 Director    Ali Abbas Zafar
 Music    Sohail Sen
 Writer    Ali Abbas Zafar
 Lyrics    Irshad Kamil
 Release Date    09-Sep-2011

On paper, Mere Brother Ki Dulhan's dimple must have sounded like a terrific story. A 27-year-old who has lived life as a wild child, growing up in London to a diplomat father, decides to settle down to an arranged marriage. But Katrina Kaif plays her role as a curiously blank piece of paper. It's difficult to imagine her as ever having been to a college (let alone a college called lady shri rao--yes, we know it's a joke). It's as difficult to imagine her as a rocker chick who carries beer in her thaila and smokes a bidi. And as one who thinks nothing of swilling bhang in the middle of a highway dhaba.
She tries hard, but if the movie stays even marginally afloat it is because of Imran Khan. He's boyish, charming as the sensible younger brother of the very self aware and very filmi Ali Zafar who plays the well heeled brother working and living in England, and has an extremely expressive set of eyebrows. The hapless expression should now be patented and is appealing to all slacker boys. It works very well, especially with declarations of "I love you" accompanied by the electric garland around his neck short circuiting. He's perfected his formula--he's a lover, with the soul of a comedian. Think Jaane Tu Ya Jaane Na meets Delhi Belly.
Ali Abbas Zafar gets a lot right. The two formula friends, one of them, Mohammad Ayyub a far cry from the Manu Sharma of No One Killed Jessica. The progressive parents, the wonderful Parikshit Sahni and Kanwaljit Singh. And the setting, part Agra, part Dehradun (Zafar's home town) and a lot of Delhi. Imran plays as assistant director in Bollywood (whose film starring John Abraham has been a huge hit--now that's an improbability) and Katrina is the girl he thinks his brother would want to marry by Christmas. A large part of the film is a spoof--from Dabangg to My Name Is Khan. Some of it also an ode--from Padosan to Mughal e Azam. Some of it works, a lot of it doesn't.
The Koffee with Karan quickfire round on i-chat which serves as the girl's interview of her prospective groom, a scene where Katrina spirits away a sleeping Imran, and some witty dialogues which will no doubt be picked up--such as ladke pappu hote hain, lollipop dikhao sab bhool jate hain.