Monday, November 15, 2010

27-13.20 Nakshatra Release Date : 29,Oct 2010

Producer Ravindra Singh
Director Mohan Savalkar
Music D.J. Sheizwood, 43923, Harry Anand
Writer Mohan Savalkar
Lyrics Harry Anand, Nawab Arzoo, Rani Malik
Release Date 29-Oct-2010

7-13.20 Nakshatra is a film directed by Mohan Savalkar. This film is a romantic thriller that deals the complexities of life. It is a story about a dreamer, whose dream is mislead by destiny, as it charges ahead to prove itself. It is a story about the dreamer who then chases the law of love, truth, justice and destiny.

The film reveals the story of Ajay (Shubh Mukherjee) who gets an opportunity to write a script for a movie, an aspiring screen writer, he is thrilled, more by the thought of finally being able to prove himself to Jiya [Sabina Sheema], the girl he loves. A robbery being the main theme of the plot, Ajay works hard at getting the script right. Just when everything seems perfect, Ajay is arrested for a crime he hasn't committed.

Sharad [Anupam Kher], a family friend, promises to bail him out as soon as possible. But the mystery deepens when a spate of murders start taking place. So who is the main killer and mastermind behind the plot forms the rest part of the film.

Performance wise, Shubh Mukherjee is improved. He delievers a better performance than his debut in Aasma. Sabina Sheema seems confident. She is perfect for her role. Milind Soman is just okay. Anupan Kher has no scope. Rest of the cast are just fine.

Daayen ya Baayen Release Date : 29,Oct 2010

Producer Sunil Doshi
Director Bela Negi
Music Vivek Philip
Writer Bela Negi
Release Date 29-Oct-2010

Daayen Ya Baayen is a film directed by Bela Negi. The film is about a Quoxotian character, inspired from our folk tales of the Himalayas. The movie is simple and believable yet it lacks the drive at several instances.

The film reveals the story of Ramesh Majila (Deepak Dobriyal) who returns to his small scenic village located in the mountains of Uttarakhand. He is looked upon as a hero as any other city return man is treated in the villages of India. He claims to be a writer by profession in Mumbai and wrote for many of the serials that were telecasted. Soon he turns a joke for all the villagers when he decides to settle down in the village and takes the job of a English teacher at the local school. He is looked down by not only the villagers but also his wife for his impractical ambition of opening a Kala Kendra ( art center) , poetic thoughts and radical ways of teaching.

Life takes a dramatic turn for him when one of his random poetic invention gets selected for an ad jingle and wins him a swanky luxurious red car. This prize gets him adorns and love from children and grudge from others. He rises to a heroic status overnight. However his life spirals into a series of comic conflicts as he struggles to match the rest of his life to the car that adorns his cowshed, undoing himself completely in the process and losing the respect of his most ardent fan, his young son. When the car is stolen, he sets out on a journey to recover something more than his prized possession - his lost dignity.

Performance wise, Deepak Dobriyal has done his part very well. Bharti Bhatt is fine as a house wife. Manav Kaul has no scope. Badrul Islam is fine. Pratyush is excellent.

On the whole, Daayen Ya Baayen is a simple film with a simple story yet really enjoyable.

Maalik Ek Release Date : 29,Oct 2010

Producer Kishori Shahane
Director Deepak Balraj Vij
Music Anup Jalota, Jaideep Choudhary
Writer Deepak Balraj Vij
Lyrics Anup Jalota, Manoj Kumar, Amit Khanna
Release Date 29-Oct-2010

It's indeed a whole new role for Jackie Shroff. The actor who enunciated the quintessential tapori in Hindi cinema now plays the saintly miracle man in Malik Ek. And surprisingly, he plays it well, with a restraint and an earthiness that brings alive the seer.

The film is essentially a chronicle of the miraculous incidents that marked the life of people who interacted with the sage and ended up becoming his devotees. But more importantly, it shows the protagonist espousing a secularism that is desperately needed in today's India. When his devotees ended up fighting with each other on his religious affiliations and his antecedents, Sai Baba gave them a sermon on the essential unity of man. Who's a Hindu and who's a Muslim? he yelled and espoused the `Malik Ek' (One God) philosophy to the warring factions.

There is a warmth and simplicity in the narration, although the over abundance of songs and commentary does act as a deterrent. This one's a biography that's essentially meant for the believers.

Musaa Release Date : 29,Oct 2010

Producer Mahendrabhai Katariya
Director Himanshu Bhatt
Music Jaydeep-Eliyas
Writer Himanshu Bhatt
Lyrics Sandeep, Ibrahim Ashq
Release Date 29-Oct-2010

'Mussa' an upcoming Bollywood Movie starring 'Jackie Shroff, Sameer Aftab, Sushant Singh, Yashpal Sharma, Akhilendra Mishra, Daya Shanker pandey, Firoze Irani, Avtar Gill, Monica, Lijna Jariya, Nitin Kothari directed by 'Hamanshu Bhatt' and produced by 'Mahendra Bhai Katariya'

Music is scored by 'Santosh Sharma, Jagdeep, Ilyas'

'Mussa' comes as a package of action, romance, sentiment and drama, that covers all sections of the movie lovers.

Saturday, October 23, 2010

Rakht Charitra - I Release Date : 22,Oct 2010

Producer Sheetal Vinod Talwar, Madhu Mantena
Director Ram Gopal Varma
Music Sukhwinder Singh, Bapi, Tutul
Writer Prashant Pandey
Lyrics Sarim Momin, Vayu, Shabbir Ahmed, Prashant Pandey
Release Date 22-Oct-2010

Welcome to the law of the jungle. Where there're no rules. Where the life of a human being is not worth a penny. Where goonda raj reins supreme. Where men are butchered and women abducted and raped. Where the police obey the orders of the goons. Where guns, swords, bombs, knives and sharp weapons are a man's best friends. Welcome to Rakta Charitra, based on the true story of Paritala Ravi.

Ramgopal Varma is known for dark and gritty cinema and Rakta Charitra is not just the film-maker's, but also Hindi cinema's most violent film so far. Be forewarned, Rakta Charitra is not for the lily-livered. Nor is it for those who love to visit cineplexes with their families, weekend after weekend, to watch that perfect family film. This one has just one song (not needed, actually), no romance, no comedy/humour, no phoren locations, no good looking faces, no family gatherings and no striking sets that are mandatory for escapist cinema. RGV is a rebel, he likes to make movies he believes in and Rakta Charitra proves it yet again.


Let me add, Rakta Charitra is not one of RGV's most accomplished works. Perhaps, one of the reasons could be because he's now churning out gangster and crime-based films with amazing regularity and obviously, there's not much he can explore due to the limitations of this genre. But, yes, Rakta Charitra has a fascinating story to tell and even if you aren't acquainted with Paritala Ravi, you might identify with Rakta Charitra because the essence of the film is revenge.

Final word? With a title like Rakta Charitra and all the blood and gore in the film, it's certain that the film holds appeal for those who like to watch brutality in cinema, which, in turn, cuts off a sizeable section of the audience (ladies and kids). However, from the content point of view, I'd say that Rakta Charitra is the best bet of this week.

Rakta Charitra deals with emotionally volatile people and is set in a rural environment. It tells the story of Paritala Ravi (Vivek Oberoi), a soft-spoken person, who took law in his hands to avenge the murders of his father (Rajendra Gupta) and brother (Sushant Singh). Paritala Ravi's name sent shivers up the spines of not only his rivals, but even the law enforcement agencies. He rose to become a minister eventually. The first part ends with his undertaking a mission to end goonda raj in the state.

By now we've come to expect zany camera angles, tight close ups, a raging background score, power-packed performances and abstract stories from RGV's films and Rakta Charitra is no different. Expect all this and more [read bloodshed] in Rakta Charitra. Since Rakta Charitra is based on a true story, there's not much one can comment on it, but the manner in which the incidents unfold keep you hooked. Of course, it's a vendetta fare, yet one is keen to fathom what essentially provoked a soft-spoken individual to transform into a killing machine.

Barring the incidents in the initial reels, there's not much movement in the story in the first hour. In fact, there are killings and more killings. But the story gathers momentum when an iconic actor turned politician enters the scene and takes Paritala Ravi under his wings. The sequences between Shatrughan Sinha and Vivek are, frankly, the preeminent and most excellent parts of the enterprise. The post-interval is different because the killings reduce and Paritala now fights his opponent from the corridors of power.

Rakta Charitra gets lengthy in its second half and one genuinely feels that RGV should've curtailed the length of the film by a few minutes, although the introduction of Suriya's character at the end only raises the curiosity for the second installment.

RGV has handled a number of sequences brilliantly, but the film leaves you with a sense of deja vu off and on. Glimpses of films like Sarkar and Sarkar Raj, besides Satya and Company, though not remotely similar to Rakta Charitra, flash across your mind. It's a little intricate to encompass all incidents in the screenplay, but writer Prashant Pandey makes a sincere effort. Cinematography (Amol Rathod) catches your eye. Action scenes are true to life. Background score compliments the mood of the film.

All RGV films are embellished with powerful performances and Rakta Charitra is no exception. Vivek Oberoi breathes fire and venom and comes across as the most appropriate actor to infuse life into the character he portrays. He's super efficient and his act in Company and Shootout At Lokhandwala pale in comparison. Shatrughan Sinha is remarkable. A powerful personality could've only been portrayed by a powerful actor and the veteran enacts it with amazing ease. Abhimanyu Singh is superb as the opponent. You hate him for being so evil and that only goes to prove how effective he is. Radhika Apte is good. Zarina Wahab is first-rate. Ashwini Kalsekar is excellent. Ashish Vidyarthi, Rajendra Gupta, Anupam Shyam, Sushmita Mukherjee, Vishwajeet Pradhan and Kota Srinivasa Rao shine in their respective parts. Sudeep and Darshan Jariwala get no scope.

On the whole, Rakta Charitra is not for the faint-hearted or the lily-livered. The violence, the blood and gore depicted in the film will shock and disconcert you, which only goes to establish as to how proficiently the subject material has been treated. The film is targeted mainly at those who love to watch aggression, violence, bloodshed, brutality and massacre on the silver screen, but a chunk of the movie-going audience (ladies and kids) will choose to stay away from this scene of carnage. The business in Telugu and Tamil versions is expected to be excellent, due to the strong identification with the subject material.

Dus Tola Release Date : 22,Oct 2010

Producer Kunwar Pragy Arya
Director Ajoy
Music Sandesh Shandilya
Lyrics Gulzar
Release Date 22-Oct-2010

As a kid, one of my favourite shows on TV was 'Malgudy Days'. It left an indelible impression on my mind, memories that I cherish to date. When I watch films set in a hamlet with assorted characters that seem straight out of life, memories of 'Malgudy Days' come alive instantaneously. That's precisely what I felt while watching Dus Tola.

Having a similar storyline as the Malayalam film Ponmuttayidunna Tharavu, Dus Tola has an interesting plotline and boasts of a few endearing moments, but the outcome is plain and simplistic. Also, the writing is quite erratic; it involves you at a few places, but is yawn inducing at most times.


Final word? Lacks the glitz and sparkle!

Shankar (Manoj Bajpayee) is the much loved goldsmith of a quaint coastal town Sonapur. Shankar is head over heels in love with the town beauty, his cunning astrologer neighbour's daughter Suvarnalata (Aarti Chhabria). Needless to say, Shastri (Dilip Prabahvalkar), Suvarna's father, is opposed to the budding romance.

Suvarnalata cooks up a fool-proof plan to manipulate her father into accepting the alliance. She convinces a smitten Shankar to make a necklace of not one tola, not two tolas, but ten tolas of gold so he can show Shastri that he can take care of his daughter and he is a suitable husband for her. Shankar puts everything he has at stake and slogs day and night to make a necklace for his beloved.

A shocking turn of events leaves Shankar flabbergasted. He feels cheated, but the truth is out soon.

What goes around comes around - this is the message that Dus Tola attempts to send across. But director Ajoy and the writer take their own sweet time to convey the message. The numerous stories and parallel tracks running concurrently divert and deflect you attention, driving you away from the main plot. These include the romantic track between Manoj and the dance teacher (drab), Govind Namdeo and his third wife's story (forced) and Manoj's father's scenes (in poor taste). Even the climax is ridiculous. If the writing is patchy, the direction is equally inconsistent. The songs gratuitously adjoin to the length of the film.

Manoj Bajpayee is completely miscast. A younger lead man would've looked more convincing in this role. Aarti Chhabria doesn't look convincing either, though she puts in every effort to look the character. Siddharth Makkar is fairly good. Amongst the plethora of actors, Dilip Prabhavalkar and Ninad Kamat seem real.

On the whole, Dus Tola will go completely disregarded and eventually fall into the category of those films that arrive without a bang and leave without a whimper.

Director: Ajoy
Cast: Manoj Bajpayee, Aarti Chhabria, Siddharth Makkar, Pallavi Sharda, Govind Namdeo, Asrani, Dilip Prabhawalkar

Hisss Release Date : 22,Oct 2010

Producer Vikram Singh, Govind Menon, William Sees Keenan
Director Jennifer Lynch
Music Anu Malik, David Kushner, Panjabi MC, Alexander Von Bubenheim, Craig Nobles, Jul
Release Date 22-Oct-2010

A lot of us, who have grown up on masala cinema of 1970s and 1980s, will vividly recall two films made on ichhadhaari naagins - Rajkumar Kohli's Nagin (1976) and Harmesh Malhotra's Nagina (1986). Can we ever forget the revenge of the naagin? Can we ever forget the gripping plot, the spellbinding drama, the lilting music and of course, the unforgettable performances by Reena Roy and Sridevi, respectively?

When a film-maker attempts to make a film on an ichhadhaari naagin in 2010, the viewer expects to watch all of the above, besides great visual effects of course. More so because Hisss is helmed by a Hollywood director - Jennifer Lynch. But, to put it bluntly, Hisss is a nightmare. The film has absolutely nothing to offer - no story, no screenplay, no songs, no performances… Even the making is so tacky.


Final word? If there were Razzies in Bollywood, Hisss would win hands down.

The story is about the vengeance of an ichhadhaari naagin. George (Jeff Doucette), a ruthless American, travels to the jungles of India and captures her mate. She transforms into a woman (Mallika Sherawat) with absolutely no clue about contemporary civilization or the ways of mankind, and ventures into the city in desperate search for her lover with vengeance on her mind and venom in her fangs.

Vikram (Irrfan Khan) is entrusted the responsibility of solving the murders and tracking down the mysterious killer.

Films like Hisss make you realize what's going wrong in Bollywood today. On one hand, we celebrate the new stories being told in our movies and on the other, we churn out a Hisss, which is badly scripted, poorly enacted and carelessly directed. Believe me, it's easy to solve the crossword puzzle in newspapers than it is to understand what exactly is going on in this film.

As for director Jennifer Lynch, she needs a crash course in film-making pronto. The visual effects seem straight out of a B-grade Bollywood film.

Actors often tell me that they choose films based on the script, so what exactly did Irrfan Khan see in Hisss? Mallika has no dialogue all through the film, she changes lenses, then changes into a snake outfit and also goes full monty. That's it! Divya Dutta is wasted. Raman Trikha is passable. The actress enacting the role of Divya's mother is okay.