Tuesday, November 16, 2010

Action Replayy Release Date : 05,Nov 2010

Producer Vipul Shah
Director Vipul Shah
Music Pritam Chakraborty
Writer Suresh Nair, Aatish Kapadia
Lyrics Irshad Kamil
Release Date 05-Nov-2010

To recreate the bygone era and tell a story about it is nothing short of a challenge, and that's exactly what director Vipul Shah is out to achieve with his latest outing Action Replayy.

Time travel stories are no longer alien to Bollywood. We have had our share of movies where characters have either travelled into the future or into the past.

In Action Replayy, one of the protagonists travels into the past because he feels only if he betters the past will his family live in harmony in the present.

Special: All about Action Replayy

Action Replayy does not share any similarity with David Fincher's The Curious Case of Benjamin Button [2008]. However, the film does bring back memories of the outstandingly executed Back to the Future, a 1985 American science-fiction film directed by Robert Zemeckis.

The only difference is that the character played by Michael J Fox accidentally goes into the past, but in Action Replayy, the boy seems to be on a mission.

A light-hearted rom-com with a dash of sci-fi thrown in, Action Replayy should be viewed without really seeking much rationale or logic behind every action and reaction.

Of course, Action Replayy is no perfect film, for it has its share of blemishes, which actually curtails its growth to an extent.

Bunty [Aditya Roy Kapur] loves his girlfriend Tanya, but runs a mile whenever she mentions marriage. His phobia with matrimony stems from his parents Kishen [Akshay Kumar] and Mala's [Aishwarya Rai Bachchan] acrimonious marriage.

But now Bunty is in a fix. Tanya's grandfather, Professor Anthony Gonsalves [Randhir Kapoor], has given him an ultimatum - get married to Tanya or stop seeing her. Bunty knows that unless he does something fast, his dreams of living happily ever after with Tanya will bite the dust.

As Bunty's surprise party for his parent's 35th wedding anniversary deteriorates into yet another explosive fight between Kishen and Mala, he decides to turn back the clock and rewrite Kishen and Mala's destiny and alter their disastrous marriage into a romantic affair of the hearts.

And how does he do that? By using the professor's time machine to travel back in time. To a time when Kishen and Mala were not married. To a time when Kishen's father Rai Bahadur [Om Puri] and Mala's mother Bholi Devi [Kirron Kher] were sworn enemies.

To a time when Kishen was a certified nerd, bullied merciless by Kundan [Rannvijay]. To a time when Mala couldn't stand the sight of Kishen and took great pleasure in ragging him.

Images: Akshay & Ash ride the 'love scooter' | Akshay Kumar turns DJ | Preview: Action Replayy

Bunty has to transform his father from a wimp into an eligible bachelor and his mother from a tomboy into the epitome of feminine grace. Then he has to attempt the impossible - make them fall in love with each other.

And finally he has to make his grandparents agree to their love marriage.

Doesn't the synopsis sound really good on paper? But the question is, has the director executed the wonderful story idea with panache and have the writers come up with a taut screenplay?

Action Replayy is the fifth film Vipul Shah and Akshay Kumar have done together afterAankhen, Waqt, Namastey London and Singh is Kinng [which was produced by him and directed by Anees Bazmee], and it's evident that the two share great work chemistry.

Also, I genuinely feel that Vipul's script sense is good; he likes to attempt diverse genres, exploring new territories each time he attempts a film.

When attempting a movie on a concept like time travel, it's imperative that the writing should be so persuasive that the viewer is influenced into believing that people can travel into the past or future.

In this case, a little bit of additional gyan would have only enhanced the impact of the story. But whatever minimal is said about time travel in the film doesn't register effectively. An unfortunately, the time machine itself looks tacky and tawdry, and does little in convincing you that this piece of scrap can transport you into a departed era - 1975 in this case.

The screenplay writing is flawed and a few tracks just don't cut ice. The track involving Rannvijay is lacklustre and the least convincing. Also the track involving the warring neighbours [Om Puri and Kirron Kher] is half-baked.

The portions involving Randhir Kapoor and Neha Dhupia are undeveloped and the climax is far from comic.

The blame falls completely on screenplay writers Suresh Nair, Ritesh Shah and Aatish Kapadia for coming up with an unimaginative screenplay, despite having a brilliant concept in hand.

What really salvages the otherwise flawed script is the pace and the length of the film and, of course, the performances of its principal cast. The film moves at a brisk pace, although I wish to add that if a couple of scenes from the first hour are deleted, the second hour would get a bit more impactful.

Vipul Shah seems to have kept a strict vigil on the length of the film, not allowing it to over-exceed and making it less burdensome and more enjoyable for the viewer.

However, the film is not a patch on his earlier works, especially Waqt and Namastey London. He's made far superior films in the past.

Pritam comes up with a likable score, with Zor Ka Jhatka and O Bekhabar, which is soothing and reminds you of a Yash Chopra composition. Nakhre is catchy and hummable. Sejal Shah's cinematography is alright.

I'd like to make a specific note of Salim-Sulaiman's background score, which is amongst the best of 2010. The duo's contribution to the film is immense, since even an ordinary sequence gets enhanced with the right sound.

The costumes and styling deserve brownie points, while the sets of the bygone era are realistic. The only negative is the time machine.

Both Akshay and Aishwarya remain faithful to their characters and come up with winning performances. It requires a lot of courage for a good looking man like Akshay to look the opposite of what he is, with buck teeth and long hair, and he carries it off convincingly.

He's wonderful in both young and old parts. Ditto for Aishwarya, who enacts the over the top Mala with understanding of the character. Even the elderly Mala has been effectively portrayed by her.

The real surprise is Aditya Roy Kapur, who looks extremely persuasive as the demoralised and dispirited son of Akshay and Ash. He's fantastic. This act should open new vistas for the youngster.

Special: All about Action Replayy

Distinguished actors like Om Puri, Kirron Kher and Rajpal Yadav come across as mere props with sketchy characterisations. They are under-utilised, but despite this they give all their might and power to the roles.

Rannvijay is the least convincing, while Randhir Kapoor and Neha Dhupia are wasted.

On the whole, Action Replayy is a light-hearted rom-com. A slightly dreary first hour, but a racy second hour with top notch performances makes it a decent watch this Diwali.

Golmaal 3 Release Date : 05,Nov 2010

Producer Dhilin Mehta
Director Rohit Shetty
Music Pritam Chakraborty
Writer K. Subhaash
Lyrics Kumaar
Release Date 05-Nov-2010

‘Golmaal 3′; Star cast: Kareena Kapoor, Ajay Devgn, Mithun Chakraborty, Kunal Khemu, Tusshar Kapoor, Arshad Warsi, Johny Lever, Ratna Pathak-Shah; Director: Rohit Shetty; Rating: *** – completes a rib-tickling trilogy.

It is touted as the first trilogy of Indian cinema. It’s about time that the distant cousin of Hollywood had one. Yet, what’s important is that Bollywood did not need to have trilogies as one hit film has the habit of spawning a whole generation of films that look and feel like the original. ‘Golmaal 3′ also suffers from that syndrome. Thankfully, it only feels like its previous avatars.

Despite retaining most characters from its previous outings, ‘Golmaal 3′ enters a hitherto uncharted territory. Madhav (Warsi), Laxman (Khemu) and Lucky (Kapoor) are the three scheming sons of Pritam (Mithun) who manage to lure Vasooli (Mukesh Tiwari) into one scheme after another.

However, as luck would have it, in everything they start, they find competition from three other down-on-their-luck kids Gopal (Ajay Devgn), Laxman (Shreyas Talapade) and Dabbu (Kareena Kapoor) with funding from Puppy bhai (Johnny Lever). Gopal and Laxman are the sons of Geeta (Ratna Pathak Shah).

Inevitably, locking horns they end up destroying each others businesses. What the two groups don’t know is that their parents are unrequited ex-lovers. When Dabbu finds out she schemes and unites the two lovers in a marriage without letting their children know about their step-brothers. All hell breaks loose when they finally find out and a hilarious war engulfs between the two groups right under their parents noses.

Like its predecessors ‘Golmaal 3′ has enough laughs going through the film to keep the momentum. Johnny Lever as the Ghajini-style forgetful don who adopts a new filmy avatar every few minutes has the audience in splits. The few spoofs of old Hindi films, full of camera pans and quick zooms, will nostalgically tickle the funny bone. The twists of various popular phrases and known adages, raises more than a chuckle.

Mithun gets to do his ‘Disco Dancer’ once again. Theatre veteran Ratna Pathak-Shah waltzes through the film with aplomb. Arshad Warsi is his usual tapori self while Shreyas Talapade and Kunal Khemu do a good job. It is however the beefed up Tushar Kapoor who seems to be trying too hard, and despite raising giggles, fails to arouse laughter. In the first part he, looking the most vulnerable, was the funniest of the lot.

Director Rohit Shetty tries his best in merging comic vignettes into one comprehensible film. However, had it not been for the funny dialogues, his lack of directorial verve would have shone out. He is spared the fate by some ingenious dialogue writing by Robin Bhatt (‘Aashiqui’, ‘Sadak’, ‘Baazigar’) and Yunus Sajawal.

Now that Bollywood finally has a trilogy, will it please also make one that also has some real standing in the world of cinema?