Sunday, December 12, 2010

No Problem Release Date : 10,Dec 2010

Producer Anil Kapoor, Dr Bhupendra Kumar Modi, Rajat Rawail
Director Anees Bazmee
Music Pritam Chakraborty, Sajid Wajid, Anand Raj Anand
Writer Anees Bazmee
Lyrics Shabbir Ahmed, Kumaar Anand, Raj Anand
Release Date 10-Dec-2010

The one thing I've observed in Anees Bazmee's movies is that the plotline may be bizarre and outlandish, but each of his films has stood tall on the entertainment quotient. Perhaps, that's one of the reasons why his movies have struck a chord with a big chunk of moviegoers [read the hardcore masses]. The heroic triumph of No Entry, Welcome and Singh Is Kinng endorses this statement.

The most difficult thing is to make people roll with laughter and that's precisely what Bazmee does in film after film, for viewers of all ages. Follow these three mantras religiously, while watching an Anees Bazmee film: Don't seek logic, don't ask questions and just keep your thinking cap outside the theatre. You need to follow these rules while watching No Problem as well. Unfortunately, Bazmee's latest outing is so mind-numbingly dull that you wonder how could he come up with such a soulless and charmless film.

No Problem doesn't have a smart plot, theek hain, No Problem. But the bigger problem is it doesn't have those genuinely funny sequences and crackling dialogue either that you associate with the accomplished director's films. Honestly, I never expect to watch a path-breaking story in his films, but I do expect them to deliver hearty laughs, which No Problem doesn't. In the past, in films like No Entry, Welcome and Singh Is Kinng, Bazmee had handled the multiple characters with aplomb, but the writing is so inconsistent this time that one has to actually struggle to stay attentive.

Final word? No Problem is meant to be a crowd-pleaser, but, sadly, it lacks those clever one-liners, bursting-with-energy sequences and amusing goings-on to make your two hours in the cineplex worthwhile. No Problem has a huge problem: It fails to entertain!

Yash [Sanjay Dutt] and Raj [Akshaye Khanna] are small-time crooks and childhood buddies. Raj wants to lead an honest life, but Yash always manages to do something that jeopardizes Raj's chances of turning over a new leaf. When Yash robs the First Village Bank, the innocent bank manager, Zandulal [Paresh Rawal], also falls under suspicion, just because he had sheltered Yash and Raj under his roof.

In Durban, Arjun [Anil Kapoor] is a bungling cop, married to Kajal [Sushmita Sen], the daughter of the Commissioner of Police [Shakti Kapoor]. Kajal has a split personality -- one moment she's a loving wife and mother, who, for 10 minutes every day, transforms into a terrifying maniac intent on murdering her husband.

Diamonds worth millions have been stolen from the International Diamond Centre by the gang lead by Marcos [Suniel Shetty]. Arjun is as determined to find these ruthless robbers, as Zandulal is to find the two crooks who robbed his bank. Yash and Raj try to avoid Zandulal, who does not realize that they are his neighbours.

Meanwhile, Raj falls in love with Sanjana [Kangana Ranaut], Kajal's younger sister. But just before the engagement, Zandulal threatens to expose Yash and Raj unless they return the money they stole from his bank. Cornered, Raj and Yash agree to commit one last robbery. They rob a minister's house, minutes before Marcos arrives. The minister is tortured and killed, because Marcos cannot find the stolen diamonds.

Now starts a game of hide and seek, as Arjun goes after Yash and Raj, the prime suspects in the minister's murder and Marcos also hunts them down because he's figured out that they have the diamonds. Yash and Raj must prove their innocence and also somehow or the other pay back Zandulal.

No Problem has an outrageous plot, exaggerated and overstated scenes, but unlike Bazmee's previous films, this one tries too hard to make you laugh, but fails miserably. You expect the gags and punch lines to hit you from all directions and you also expect to break into guffaws, but barring a couple of scenes, which do bring a smile on your face, you just don't react to the goings-on. In fact, the writing is the weakest link of the enterprise. It lacks in drama, it lacks in unadulterated humour and everything seems to fall into place too easily. It jumps from one sequence to another and often forgets what's tackled before, in the previous sequence. The continuity jerks are evident at a number of places, frankly.

Bazmee is flogging the age-old formulas over and over again. It worked in the past because those films were rich as far as the entertainment quotient was concerned, but it doesn't work this time around. The music is functional, with 'Mast Punjabi' being the most energetic track of the enterprise. Cinematography is eye-pleasing and the locales of South Africa are eye-filling.

Bazmee's movies bestow its actors ample scope to push their comic boundaries, but No Problem doesn't. Of the central cast, Sanju tries hard to carry off his part, Akshaye is just about okay, while Anil hits the right notes and Paresh, as always, stands out. He delivers in every sequence. Kangana is wasted, but Sushmita shows a flair for comedy. Suniel Shetty is as usual. Neetu Chandra doesn't get much scope. Shakti Kapoor is funny. Baby Saloni is okay. As for Vijay Raaz, what is he doing in this film?

Oh yes, there's a family of gorillas as well as a shoal of fish in a mini aquarium - yes, they form an integral part of this story. The gorillas appear from nowhere and save the heroes in the climax, while the fish swallow the diamonds before these gems reach the villain's hands.

On the whole, No Problem has some funny moments in the first half, but gets agonizing towards the second half. It has several problems: It lacks a cohesive screenplay, it lacks in entertainment and most importantly, the humour falls flat. No Problem is full of problems.

Band Baaja Baaraat Release Date : 10,Dec 2010

Producer Aditya Chopra
Director Anees Bazmee
Music Salim Merchant, Sulaiman Merchant
Writer Maneesh Sharma
Lyrics Amitabh Bhattacharya
Release Date 10-Dec-2010

After Lafangey Parindey failed to take off at the box office, the Chopras appear to have decided not to tread untested grounds, and to return to their well-tried (oh so well tried) concoction of lavish weddings in the backdrop of north-Indian cultural revelry. The result is a frothy, feel-good movie, though not with much substance.

Shruti Kakkar (Anushka Sharma) has her eyes set on becoming a wedding-planner. Armed with a 3-year part-time experience, she has the blueprint of her company "Shaadi Mubarak" ready, with one golden rule in it: "Jisse vyapaar karo, usse kabhi na pyaar karo." In comes Bittoo Sharma, who, after a failed attempt at hitting on Shruti, decides to pair up with her in business instead, to escape from his father's not-so-grand plans for him – becoming a farmer.

The duo hits it off in the wedding business with their smart networking skills, and with Bittoo's talent for manufacturing cheesy lines spontaneously winning over clients. What follows is a one-track, vibrant and boisterous tribute to the great Indian wedding, replete with songs, dance, choruses and the works.

In the midst of all the bonhomie, it's Shruti who goes astray and ends up sleeping with Bittoo, and eventually falls in love with him, too. Bittoo, not liking the emotional twist in business, starts acting weird, and before long, Shruti realises that it was just a one-night stand for him. She feigns normalcy for sometime, but soon her hurt feelings raise their hood, and she starts snapping at Bittoo for almost everything.

After some cat-dog fight sequences in which the two snarl and pounce at each other, they split their business, and Bittoo starts his own company, "Happy Wedding".They soon realise that their magic was in their team, and after ruining a few marriages, they decide to come together for the big wedding of the daughter of a business magnate.

Anushka Sharma impresses as the confident and spirited creative head, and Ranveer Singh arrives as a full-fledged actor in his debut film. With his craggy looks, he suits the role of the uncouth, happy-go-lucky hero to a T, whose poor mastery over English does not come in the way of his running a successful "bijness".

Whether they are mouthing quick repartees or hurling abuses at each other, the lead pair have their chemistry shine through, and provide the best moments in the film. The mature Shruti with a responsible business sense makes a perfect foil for the impulsive Bittoo.

Though supported by an able cast and good writing, Band Baaja Baraat is unlikely to set the cash registers ringing because it just presents old wine in a new bottle. In an age when film-makers are going the extra mile to dig up novel concepts to feed to an increasingly choosy audience, the movie invokes memories of numerous films from the Chopra camp itself. Also, the film lacks the starpower of a Shahrukh or a Rani which would have drawn fans to the theatre.

The music by Salim-Sulaiman is strictly average, and the songs stay with you only when they are being played on screen. Aseem Mishra's cinematography, however, is top-notch, bringing to life the colour-palette and flamboyance of Indian weddings in every frame.

If you are in the mood for a no-brainer entertainer with a pretty heroine and a street-smart hero, and have not received enough marriage invitations this season, you can kill a couple of hours watching this.